Publications (your selection)

This is a selection of scientific publications from members of our group. To see the full list, click here .

Year: 2016
Year: 2016
2016
[12] Semantic Modelling for User Interaction with Sonic Content (A. Sá Pinto, M. Davies, P. Herrera), In 22nd Portuguese Conference on Pattern Recognition (RECPAD), 2016. [bib] [pdf]
[11] Beatings: a web application to foster the renaissance of the art of musical temperaments (R. Penha, G. Bernardes), In Sound and Music Computing Conference, 2016. [bib] [pdf]
[10] Psychoacoustic Approaches for Harmonic Music Mixing (R. Gebhardt, M. Davies, B. Seeber), In Applied Sciences: Special Issue on Audio Signal Processing, volume 6, 2016. [bib] [pdf]
[9] Time Stretching & Pitch Shifting with the Web Audio API: Where are we at? (B. Dias, D. M. Matos, M. Davies, H. S. Pinto), In Proceedings of Web Audio Conference, 2016. [bib] [pdf]
[8] Bridging the gap between performers and the audience using networked smartphones: the a.bel system (A. Clément, F. Ribeiro, R. Rodrigues, R. Penha), In Proceedings of International Conference on Live Interfaces (ICLI), 2016. [bib] [pdf]
[7] Full-Band Quasi-Harmonic Analysis and Synthesis of Musical Instrument Sounds with Adaptive Sinusoids (M. Caetano, G. P. Kafentzis, A. Mouchtaris, Y. Stylianou), In Applied Sciences: Special Issue on Audio Signal Processing, volume 6, 2016. [bib] [pdf]
[6] Relational interactive art: A framework for interaction in a social context (N. Cabrita, G. Bernardes), In Proceedings of the Expressive 2016 Conference, Computational Aesthetics (bridging papers), 2016. [bib] [pdf]
[5] A Multi-Level Tonal Interval Space for Modelling Pitch Relatedness and Musical Dissonance (G. Bernardes, D. Cocharro, M. Caetano, C. Guedes, M. Davies), In Journal of New Music Research, 2016. [bib] [pdf]
[4] Harmony Generation Driven by a Perceptually Motivated Tonal Interval Space (G. Bernardes, D. Cocharro, C. Guedes, M. Davies), In ACM Computers in Entertainment: Special Issue on Musical Metacreation Part I, volume 14, 2016. (Article No. 6) [bib] [pdf]
[3] SEED: Resynthesizing Environmental Sounds from Examples (G. Bernardes, L. Aly, M. Davies), In Sound and Music Computing Conference, 2016. [bib] [pdf]
[2] Conchord: An Application for Generating Musical Harmony by Navigating in the Tonal Interval Space (G. Bernardes, D. Cocharro, C. Guedes, M. Davies), Chapter in (Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, eds.), Springer International Publishing, 2016. [bib] [pdf] [doi]
[1] Computer-Aided Musical Orchestration Using an Artificial Immune System (J. Abreu, M. Caetano, R. Penha), Chapter in Evolutionary and Biologically Inspired Music, Sound, Art and Design: 5th International Conference, EvoMUSART 2016, Porto, Portugal, March 30 -- April 1, 2016, Proceedings (Colin Johnson, Vic Ciesielski, João Correia, Penousal Machado, eds.), Springer International Publishing, 2016. [bib] [pdf] [doi]
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