Publications (your selection)

This is a selection of scientific publications from members of our group. To see the full list, click here .

Year: 2014
Year: 2014
2014
[21] Multi-feature beat tracking (J. R. Zapata, M. Davies, E. Gomez), In IEEE/ACM Transactions on Audio, Speech and Language Processing, volume 22, 2014. [bib] [pdf] [doi]
[20] On Evaluation in Music Autotagging: A Notion of Validity (B. Sturm, F. Gouyon, J. Oliveira, N. Hespanhol, T. Langlois), In Late-Breaking Demo Session, International Society for Music Information Retrieval Conference, 2014. [bib] [pdf]
[19] Syncopation creates the sensation of groove in synthesized music examples (G. Sioros, Miron M., M. Davies, F. Gouyon, G. Madison), In Frontiers in Psychology, volume 5, 2014. [bib] [pdf] [doi]
[18] Syncopation as Transformation (G. Sioros, C. Guedes), In Lecture Notes in Computer Science, Revised Selected Papers of the 10th International Symposium on Computer Music Modelling and Retrieval, volume 8905, 2014. [bib] [pdf]
[17] Transforming musical rhythms: meter and syncopation (G. Sioros, C. Guedes), In Proceedings of the Simpósio de Informática (INFORUM 2014), 2014. [bib]
[16] Real-time Percussive Beat Tracking (A. Robertson, M. Davies, A. Stark), In Proceedings of the 53rd AES International Conference on Semantic Audio, 2014. [bib] [pdf]
[15] Making a Robot Dance to Diverse Musical Genre in Noisy Environments (J. Oliveira, K. Nakamura, T. Langlois, F. Gouyon, K. Nakadai, A. Lim, L. Reis, H. Okuno), In Proceedings of the IEEE/RSJ International Conference on Intelligent Robots and Systems, 2014. [bib] [pdf]
[14] What musicians do to induce the sensation of groove in simple and complex melodies, and how listeners perceive it (G. Madison, G. Sioros), In Frontiers in Psychology, volume 5, 2014. [bib] [pdf] [doi]
[13] POLISphone: Creating and performing with a flexible soundmap (F. Lopes, P Rodrigues), In Proceedings of ICMC/SMC, 2014. [bib] [pdf]
[12] A computer-mediated interface for jazz piano comping (R. Dias, C. Guedes, T. Marques), In Proceedings of ICMC/SMC, 2014. [bib] [pdf]
[11] Evaluating the Evaluation Measures for Beat Tracking (M. Davies, S. Böck), In Proceedings of the 15th International Society for Music Information Retrieval Conference (ISMIR 2014), 2014. [bib] [pdf]
[10] Improvasher: a real-time mashup system for live musical input (M. Davies, A. M. Stark, F. Gouyon, M. Goto), In Proceedings of the International Conference on New Interfaces for Musical Expression, 2014. [bib] [pdf]
[9] Applying Rhythmic Transformations on Real-Time Audio (D. Cocharro, G. Sioros, M. Caetano, M. Davies), In Proceedings of the Simpósio de Informática (INFORUM 2014), 2014. [bib]
[8] Real-time Manipulation of Syncopation in Audio Loops (D. Cocharro, G. Sioros, M. Caetano, M. Davies), In Proceedings of ICMC/SMC, 2014. [bib] [pdf]
[7] Exploring Sound Transformations Using the Source-Filter Model (M. Caetano, R. Penha, F. Gouyon), In Proceedings of the Simpósio de Informática (INFORUM 2014), 2014. [bib]
[6] Theoretical Framework of a Computational Model of Auditory Memory for Music Emotion Recognition (M. Caetano, F. Wiering), In Proceedings of the 15th International Society for Music Information Retrieval Conference (ISMIR 2014), 2014. [bib] [pdf]
[5] EarGram: An Application for Interactive Exploration of Large Databases of Audio Snippets (G. Bernardes, M. Davies), In Proceedings of the Simpósio de Informática (INFORUM 2014), 2014. [bib]
[4] Beyond Music Information Retrieval: A Proposed Model for Automatic Generation of Dialogic Music (G. Bernardes, M. Davies), In Workshop Narrativa, Média e Cognição, 2014. [bib] [pdf]
[3] Composing Music by Selection: Content-Based Algorithmic-Assisted Audio Composition (G. Bernardes), PhD thesis, Faculty of Engineering, University of Porto, 2014. [bib] [pdf]
[2] Considering Roughness to Describe and Generate Vertical Musical Structure in Content-Based Algorithmic-Assisted Audio Composition (G. Bernardes, M. Davies, C. Guedes, B. Pennycook), In Proceedings of ICMC/SMC, 2014. [bib] [pdf]
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