Publications (your selection)
This is a selection of scientific publications from members of our group. To see the full list, click here .Type: Inproceedings 
| 2017 | |
| [107] | Interactive Manipulation of Musical Melody in Audio Recordings , In 2nd Doctoral Congress in Engineering, 2017. [bib] |
| [106] | An audio-only method for advertisement detection in broadcast television content , In 23rd Portuguese Conference on Pattern Recognition (RECPAD), 2017. [bib] [pdf] |
| [105] | User Specific Adaptation in Automatic Transcription of Vocalised Percussion , In 23rd Portuguese Conference on Pattern Recognition (RECPAD), 2017. [bib] [pdf] |
| [104] | Automatic Transcription of Vocalised Percussion , In 2nd Doctoral Congress in Engineering, 2017. [bib] |
| [103] | Musically-Informed Adaptive Audio Reverberation , In 2nd Doctoral Congress in Engineering, 2017. (Best Presentation Award) [bib] |
| [102] | Will machinic art lay outside of our ability to understand it? , In Proceedings of International Conference on Artificial Intelligence and Information, 2017. [bib] |
| [101] | The unique expressivity of interactivity , In Proceedings of International Congress for Electroacoustic Music - Electroacoustic Winds 2017, 2017. [bib] [pdf] |
| [100] | HarT: Smart Tool for Harmonic Content Transformations , In 13th International Symposium on Computer Music Multidisciplinary Research, 2017. (Best Demo Award) [bib] [pdf] |
| [99] | A Sensor-Augmented Saxophone Mouthpiece for Unveiling the Mechanics of Saxophone Tone Formation , In 13th International Symposium on Computer Music Multidisciplinary Research, 2017. [bib] [pdf] |
| [98] | Qualia - A Software for Guided Meta-Improvisation Performance , In Proceedings of the Sound and Music Computing Conference, 2017. [bib] [pdf] |
| [97] | Automatic Musical Key Estimation with Adaptive Mode Bias , In Proceedings of the IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP 2017), 2017. [bib] [pdf] |
| [96] | A Perceptually-Motivated Harmonic Compatibility Method for Music Mixing , In 13th International Symposium on Computer Music Multidisciplinary Research, 2017. [bib] [pdf] |
| [95] | DIGIT: An Assistive System for the Generation of Footstep Sounds in Audio Post Production , In 13th International Symposium on Computer Music Multidisciplinary Research, 2017. [bib] [pdf] |
| 2016 | |
| [94] | Semantic Modelling for User Interaction with Sonic Content , In 22nd Portuguese Conference on Pattern Recognition (RECPAD), 2016. [bib] [pdf] |
| [93] | Beatings: a web application to foster the renaissance of the art of musical temperaments , In Sound and Music Computing Conference, 2016. [bib] [pdf] |
| [92] | Time Stretching & Pitch Shifting with the Web Audio API: Where are we at? , In Proceedings of Web Audio Conference, 2016. [bib] [pdf] |
| [91] | Bridging the gap between performers and the audience using networked smartphones: the a.bel system , In Proceedings of International Conference on Live Interfaces (ICLI), 2016. [bib] [pdf] |
| [90] | Relational interactive art: A framework for interaction in a social context , In Proceedings of the Expressive 2016 Conference, Computational Aesthetics (bridging papers), 2016. [bib] [pdf] |
| [89] | SEED: Resynthesizing Environmental Sounds from Examples , In Sound and Music Computing Conference, 2016. [bib] [pdf] |
| 2015 | |
| [88] | Why Yet Another Sound Spatialisation Tool? , In Proceedings of 1st International Congress for Electroacoustic Music - Electroacoustic Winds 2015, 2015. [bib] |
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