Publications (your selection)

This is a selection of scientific publications from members of our group. To see the full list, click here .

Type:
Type:
2019
[162] Towards user-informed beat tracking of musical audio (A. Sá Pinto, M. Davies), In 14th International Symposium on Computer Music Multidisciplinary Research, 2019. [bib] [pdf]
[161] The Harmonix Set: Beats, Downbeats, And Functional Segment Annotations Of Western Popular Music (O. Nieto, M. McCallum, M. Davies, A. Robertson, A. Stark, E. Egozy), In 20th International Society for Music Information Retrival, ISMIR, 2019. [bib] [pdf]
[160] Musical Cross Synthesis using Matrix Factorisation (F. Fonseca, M. Davies), In 3rd Doctoral Congress in Engineering, 2019. [bib]
[159] Temporal Convolutional Networks for Musical Audio Beat Tracking (M. Davies, S. Böck), In 27th European Signal Processing Conference, EUSIPCO, 2019. [bib] [pdf]
[158] Multi-task Learning of Tempo and Beat: Learning One to Improve the Other (S. Böck, M. Davies, P. Knees), In 20th International Society for Music Information Retrival, ISMIR, 2019. [bib] [pdf]
2018
[157] An Instrumented Glove for Control Audiovisual Elements in Performing Arts (R. Tavares, H. Mesquita, R. Penha, P. Abreu, M.T. Restivo), In International Journal of Online Engineering, volume 14, 2018. [bib]
[156] A generative model for the characterization of musical rhythms (G. Sioros, M. Davies, C. Guedes), In Journal of New Music Research, volume 47, 2018. [bib] [pdf] [doi]
[155] MUSIKVERB: a harmonically adaptive audio reverberation (J. Pereira, G. Bernardes, R. Penha), In Proceedings of DAFx-18, 2018. [bib]
[154] Will machinic art lay outside of our ability to understand it? (R. Penha, M. Carvalhais), In Proceedings of the 24th International Symposium on Electronic Art, 2018. [bib]
[153] High frequency magnitude spectrogram reconstruction for music mixtures using convolutional autoencoders (M. Miron, M. Davies), In Proceedings of DAFx-18, 2018. [bib] [pdf]
[152] MixMash: A Visualisation System for Musical Mashup Creation (C. Maçãs, A. Rodrigues, P. Machado, G. Bernardes), In Proceedings of the Information Visualisation Conference, 2018. [bib]
[151] Break-informed Audio Decomposition For Interactive Redrumming (P. Lopez-Serrano, M. Davies, J. Hockman, M. Dittmar, M. Müller), In Late Breaking Demo Session of 19th International Society for Music Information Retrival, ISMIR, 2018. [bib] [pdf]
[150] The Sound Morphing Toolbox (M. Caetano), In Proceedings of Timbre 2018: Timbre Is a Many-Splendored Thing, 2018. [bib]
[149] A Hierarchical Harmonic Mixing Method (G. Bernardes, M. Davies, C. Guedes), In Music Technology with Swing (Mitsuko Aramaki, Matthew E. P. Davies, Richard Kronland-Martinet, Sølvi Ystad, eds.), Springer International Publishing, 2018. [bib] [pdf]
[148] Bio-Sensing in Interactive Art: A User Centered Taxonomy (L. Aly, R. Penha, G Bernardes), Chapter in Encyclopedia of Computer Graphics and Games, Springer International Publishing, 2018. [bib]
[147] DIGIT: A Digital Foley System to Generate Footstep Sounds, In Music Technology with Swing (Mitsuko Aramaki, Matthew E. P. Davies, Richard Kronland-Martinet, Sølvi Ystad, eds.), Springer International Publishing, 2018. [bib]
2017
[146] Interactive Manipulation of Musical Melody in Audio Recordings (M. Rocha e Silva, M. Davies, R. Penha), In 2nd Doctoral Congress in Engineering, 2017. [bib]
[145] An audio-only method for advertisement detection in broadcast television content (A. Ramires, D. Cocharro, M. Davies), In 23rd Portuguese Conference on Pattern Recognition (RECPAD), 2017. [bib] [pdf]
[144] User Specific Adaptation in Automatic Transcription of Vocalised Percussion (A. Ramires, R. Penha, M. Davies), In 23rd Portuguese Conference on Pattern Recognition (RECPAD), 2017. [bib] [pdf]
[143] Automatic Transcription of Vocalised Percussion (A. Ramires, M. Davies, R. Penha), In 2nd Doctoral Congress in Engineering, 2017. [bib]
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