Publications (your selection)

This is a selection of scientific publications from members of our group. To see the full list, click here .

Type:
Type:
2017
[142] Interactive Manipulation of Musical Melody in Audio Recordings (M. Rocha e Silva, M. Davies, R. Penha), In 2nd Doctoral Congress in Engineering, 2017. [bib]
[141] Automatic Transcription of Vocalised Percussion (A. Ramires, M. Davies, R. Penha), In 2nd Doctoral Congress in Engineering, 2017. [bib]
[140] Musically-Informed Adaptive Audio Reverberation (J. P. Pereria, G. Bernardes, R. Penha), In 2nd Doctoral Congress in Engineering, 2017. (Best Presentation Award) [bib]
[139] Embedded Systems Feel the Beat in New Orleans (C. Jin, M. Davies, P. Campisi), In IEEE Signal Processing Magazine, 2017. (to appear) [bib]
[138] HarT: Smart Tool for Harmonic Content Transformations (D. Cocharro, G. Bernardes), In 13th International Symposium on Computer Music Multidisciplinary Research, 2017. (to appear) [bib]
[137] Thermographic evaluation of the saxophonists embouchure (J. Cerqueira, M. Clemente, H. Twillert, G. Bernardes, J. Gabriel), In VI ECCOMAS Thematic Conference on Computational Vision and Medical Image Processing, 2017. (to appear) [bib]
[136] Oral Rehabilitation of a saxophone player with orofacial pain: the contribution of bioengineering (M. Clemente, G. Bernardes, H. Twillert, J. Gabriel, J. Amarante), In Medical Problems of Performing Arts, 2017. (to appear) [bib]
[135] A Sensor-Augmented Saxophone Mouthpiece for Unveiling the Mechanics of Saxophone Tone Formation (G. Caetano, G. Bernardes, H. Twillert, M. Clemente, J. Gabriel), In 13th International Symposium on Computer Music Multidisciplinary Research, 2017. (to appear) [bib]
[134] Qualia - A Software for Guided Meta-Improvisation Performance (M. Brásio, F. Lopes, G. Bernardes, R. Penha), In Proceedings of the Sound and Music Computing Conference, 2017. (to appear) [bib]
[133] Automatic Musical Key Estimation with Adaptive Mode Bias (G. Bernardes, M. Davies, C. Guedes), In Proceedings of the IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP 2017), 2017. [bib] [pdf]
[132] A Perceptually-Motivated Harmonic Compatibility Method for Music Mixing (G. Bernardes, M. Davies, G. Guedes), In 13th International Symposium on Computer Music Multidisciplinary Research, 2017. (to appear) [bib]
[131] DIGIT: An Assistive System for the Generation of Footstep Sounds in Audio Post Production (L. Aly, R. Penha, G. Bernardes), In 13th International Symposium on Computer Music Multidisciplinary Research, 2017. (to appear) [bib]
2016
[130] Semantic Modelling for User Interaction with Sonic Content (A. Sá Pinto, M. Davies, P. Herrera), In 22nd Portuguese Conference on Pattern Recognition (RECPAD), 2016. [bib] [pdf]
[129] Beatings: a web application to foster the renaissance of the art of musical temperaments (R. Penha, G. Bernardes), In Sound and Music Computing Conference, 2016. [bib] [pdf]
[128] Psychoacoustic Approaches for Harmonic Music Mixing (R. Gebhardt, M. Davies, B. Seeber), In Applied Sciences: Special Issue on Audio Signal Processing, volume 6, 2016. [bib] [pdf]
[127] Time Stretching & Pitch Shifting with the Web Audio API: Where are we at? (B. Dias, D. M. Matos, M. Davies, H. S. Pinto), In Proceedings of Web Audio Conference, 2016. [bib] [pdf]
[126] Bridging the gap between performers and the audience using networked smartphones: the a.bel system (A. Clément, F. Ribeiro, R. Rodrigues, R. Penha), In Proceedings of International Conference on Live Interfaces (ICLI), 2016. [bib] [pdf]
[125] Full-Band Quasi-Harmonic Analysis and Synthesis of Musical Instrument Sounds with Adaptive Sinusoids (M. Caetano, G. P. Kafentzis, A. Mouchtaris, Y. Stylianou), In Applied Sciences: Special Issue on Audio Signal Processing, volume 6, 2016. [bib] [pdf]
[124] Relational interactive art: A framework for interaction in a social context (N. Cabrita, G. Bernardes), In Proceedings of the Expressive 2016 Conference, Computational Aesthetics (bridging papers), 2016. [bib] [pdf]
[123] A Multi-Level Tonal Interval Space for Modelling Pitch Relatedness and Musical Dissonance (G. Bernardes, D. Cocharro, M. Caetano, C. Guedes, M. Davies), In Journal of New Music Research, 2016. [bib] [pdf]
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