Publications (full list)

This is the list of scientific publications from members of our group since 2007.
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Publications in SMCGroupBiblio.bib - page 3
Publications in SMCGroupBiblio.bib - page 3
[114] Computational Strategies for Breakbeat Classification and Resequencing in Hardcore, Jungle and Drum & Bass (J. Hockman, M. Davies), In Proceedings of DAFx-15, 2015. [bib] [pdf]
[113] Harmonic Mixing Based on Roughness and Pitch Commonality (R. Gebhardt, M. Davies, B. Seeber), In Proceedings of DAFx-15, 2015. [bib] [pdf]
[112] Tools and Template development for Live Networked Musical Performance System (A. Clément, R. Rodrigues, R. Penha), In 1st Doctoral Congress in Engineering, 2015. [bib]
[111] Adaptive Modeling of Synthetic Nonstationary Sinusoids (M. Caetano, G. Kafentzis, A. Mouchtaris), In Proceedings of DAFx-15, 2015. [bib] [pdf]
[110] earGram Actors: An Interactive Audvisual System Based on Social Behaviour (P. Beyls, G. Bernardes, M. Caetano), In Journal of Science and Technology of the Arts CITAR Journal: xCoAx 2015 Special Issue, volume 7, 2015. [bib] [pdf] [doi]
[109] The Emergence of Complex Behavior as an Organizational Paradigm for Concatenative Sound Synthesis (P. Beyls, G. Bernardes, M. Caetano), In Proceedings of xCoAx, 2015. [bib] [pdf]
[108] A Pure Data Spectro-Morphological Analysis Toolkit for Sound-Based Composition (G. Bernardes, M. Davies, C. Guedes), In Proceedings of 1st International Congress for Electroacoustic Music - Electroacoustic Winds 2015, 2015. [bib]
[107] Conchord: An Application for Generating Musical Harmony by Navigating in a Perceptually Motivated Tonal Interval Space (G. Bernardes, D. Cocharro, G. Guedes, M. Davies), In International Symposium on Computer Music Multidisciplinary Research, 2015. [bib] [pdf]
[106] Musical Orchestration Using Biological Principles (J. Abreu, M. Caetano, R. Penha), In 1st Doctoral Congress in Engineering, 2015. [bib]
2014
[105] Multi-feature beat tracking (J. R. Zapata, M. Davies, E. Gomez), In IEEE/ACM Transactions on Audio, Speech and Language Processing, volume 22, 2014. [bib] [pdf] [doi]
[104] On Evaluation in Music Autotagging: A Notion of Validity (B. Sturm, F. Gouyon, J. Oliveira, N. Hespanhol, T. Langlois), In Late-Breaking Demo Session, International Society for Music Information Retrieval Conference, 2014. [bib] [pdf]
[103] Syncopation creates the sensation of groove in synthesized music examples (G. Sioros, Miron M., M. Davies, F. Gouyon, G. Madison), In Frontiers in Psychology, volume 5, 2014. [bib] [pdf] [doi]
[102] Syncopation as Transformation (G. Sioros, C. Guedes), In Lecture Notes in Computer Science, Revised Selected Papers of the 10th International Symposium on Computer Music Modelling and Retrieval, volume 8905, 2014. [bib] [pdf]
[101] Transforming musical rhythms: meter and syncopation (G. Sioros, C. Guedes), In Proceedings of the Simpósio de Informática (INFORUM 2014), 2014. [bib]
[100] Real-time Percussive Beat Tracking (A. Robertson, M. Davies, A. Stark), In Proceedings of the 53rd AES International Conference on Semantic Audio, 2014. [bib] [pdf]
[99] Making a Robot Dance to Diverse Musical Genre in Noisy Environments (J. Oliveira, K. Nakamura, T. Langlois, F. Gouyon, K. Nakadai, A. Lim, L. Reis, H. Okuno), In Proceedings of the IEEE/RSJ International Conference on Intelligent Robots and Systems, 2014. [bib] [pdf]
[98] What musicians do to induce the sensation of groove in simple and complex melodies, and how listeners perceive it (G. Madison, G. Sioros), In Frontiers in Psychology, volume 5, 2014. [bib] [pdf] [doi]
[97] POLISphone: Creating and performing with a flexible soundmap (F. Lopes, P Rodrigues), In Proceedings of ICMC/SMC, 2014. [bib] [pdf]
[96] A computer-mediated interface for jazz piano comping (R. Dias, C. Guedes, T. Marques), In Proceedings of ICMC/SMC, 2014. [bib] [pdf]
[95] Evaluating the Evaluation Measures for Beat Tracking (M. Davies, S. Böck), In Proceedings of the 15th International Society for Music Information Retrieval Conference (ISMIR 2014), 2014. [bib] [pdf]
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