Publications (full list)

This is the list of scientific publications from members of our group since 2007.
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Publications in SMCGroupBiblio.bib - page 2
Publications in SMCGroupBiblio.bib - page 2
[122] Harmony Generation Driven by a Perceptually Motivated Tonal Interval Space (G. Bernardes, D. Cocharro, C. Guedes, M. Davies), In ACM Computers in Entertainment: Special Issue on Musical Metacreation Part I, volume 14, 2016. (Article No. 6) [bib] [pdf]
[121] SEED: Resynthesizing Environmental Sounds from Examples (G. Bernardes, L. Aly, M. Davies), In Sound and Music Computing Conference, 2016. [bib] [pdf]
[120] Conchord: An Application for Generating Musical Harmony by Navigating in the Tonal Interval Space (G. Bernardes, D. Cocharro, C. Guedes, M. Davies), Chapter in (Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, eds.), Springer International Publishing, 2016. [bib] [pdf] [doi]
[119] Computer-Aided Musical Orchestration Using an Artificial Immune System (J. Abreu, M. Caetano, R. Penha), Chapter in Evolutionary and Biologically Inspired Music, Sound, Art and Design: 5th International Conference, EvoMUSART 2016, Porto, Portugal, March 30 -- April 1, 2016, Proceedings (Colin Johnson, Vic Ciesielski, João Correia, Penousal Machado, eds.), Springer International Publishing, 2016. [bib] [pdf] [doi]
2015
[118] Why Yet Another Sound Spatialisation Tool? (R. Penha), In Proceedings of 1st International Congress for Electroacoustic Music - Electroacoustic Winds 2015, 2015. [bib]
[117] Beat Tracking for Interactive Dancing Robots (J. L. Oliveira, G. Ince, K. Nakamura, K. Nakadai, H. G. Okuno, F. Gouyon, L. P. Reis), In International Journal of Humanoid Robotics, volume 12, 2015. [bib] [pdf] [doi]
[116] Automatic Generation of Chord Progressions with an Artificial Immune System (M. Navarro, L. Nunes de Castro, M. Caetano, G. Bernardes, J. M. Corchado), In Lecture Notes in Computer Science, Proceedings of 4th International Conference EvoMUSART, volume 9027, 2015. [bib] [pdf]
[115] A real-time interactive music remixing app (P. Kretschmann, M. Davies, R. Penha), In 1st Doctoral Congress in Engineering, 2015. [bib]
[114] Computational Strategies for Breakbeat Classification and Resequencing in Hardcore, Jungle and Drum & Bass (J. Hockman, M. Davies), In Proceedings of DAFx-15, 2015. [bib] [pdf]
[113] Harmonic Mixing Based on Roughness and Pitch Commonality (R. Gebhardt, M. Davies, B. Seeber), In Proceedings of DAFx-15, 2015. [bib] [pdf]
[112] Tools and Template development for Live Networked Musical Performance System (A. Clément, R. Rodrigues, R. Penha), In 1st Doctoral Congress in Engineering, 2015. [bib]
[111] Adaptive Modeling of Synthetic Nonstationary Sinusoids (M. Caetano, G. Kafentzis, A. Mouchtaris), In Proceedings of DAFx-15, 2015. [bib] [pdf]
[110] earGram Actors: An Interactive Audvisual System Based on Social Behaviour (P. Beyls, G. Bernardes, M. Caetano), In Journal of Science and Technology of the Arts CITAR Journal: xCoAx 2015 Special Issue, volume 7, 2015. [bib] [pdf] [doi]
[109] The Emergence of Complex Behavior as an Organizational Paradigm for Concatenative Sound Synthesis (P. Beyls, G. Bernardes, M. Caetano), In Proceedings of xCoAx, 2015. [bib] [pdf]
[108] A Pure Data Spectro-Morphological Analysis Toolkit for Sound-Based Composition (G. Bernardes, M. Davies, C. Guedes), In Proceedings of 1st International Congress for Electroacoustic Music - Electroacoustic Winds 2015, 2015. [bib]
[107] Conchord: An Application for Generating Musical Harmony by Navigating in a Perceptually Motivated Tonal Interval Space (G. Bernardes, D. Cocharro, G. Guedes, M. Davies), In International Symposium on Computer Music Multidisciplinary Research, 2015. [bib] [pdf]
[106] Musical Orchestration Using Biological Principles (J. Abreu, M. Caetano, R. Penha), In 1st Doctoral Congress in Engineering, 2015. [bib]
2014
[105] Multi-feature beat tracking (J. R. Zapata, M. Davies, E. Gomez), In IEEE/ACM Transactions on Audio, Speech and Language Processing, volume 22, 2014. [bib] [pdf] [doi]
[104] On Evaluation in Music Autotagging: A Notion of Validity (B. Sturm, F. Gouyon, J. Oliveira, N. Hespanhol, T. Langlois), In Late-Breaking Demo Session, International Society for Music Information Retrieval Conference, 2014. [bib] [pdf]
[103] Syncopation creates the sensation of groove in synthesized music examples (G. Sioros, Miron M., M. Davies, F. Gouyon, G. Madison), In Frontiers in Psychology, volume 5, 2014. [bib] [pdf] [doi]
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