Publications (full list)

This is the list of scientific publications from members of our group since 2007.
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Publications in SMCGroupBiblio.bib
Publications in SMCGroupBiblio.bib
2017
[131] Automatic Musical Key Estimation with Adaptive Mode Bias (G. Bernardes, M. Davies, C. Guedes), In Proceedings of the IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP 2017), 2017. [bib] [pdf]
2016
[130] Semantic Modelling for User Interaction with Sonic Content (A. Sá Pinto, M. Davies, P. Herrera), In 22nd Portuguese Conference on Pattern Recognition (RECPAD), 2016. (to appear) [bib]
[129] Beatings: a web application to foster the renaissance of the art of musical temperaments (R. Penha, G. Bernardes), In Sound and Music Computing Conference, 2016. [bib] [pdf]
[128] Psychoacoustic Approaches for Harmonic Music Mixing (R. Gebhardt, M. Davies, B. Seeber), In Applied Sciences: Special Issue on Audio Signal Processing, volume 6, 2016. [bib] [pdf]
[127] Time Stretching & Pitch Shifting with the Web Audio API: Where are we at? (B. Dias, D. M. Matos, M. Davies, H. S. Pinto), In Proceedings of Web Audio Conference, 2016. [bib] [pdf]
[126] Bridging the gap between performers and the audience using networked smartphones: the a.bel system (A. Clément, F. Ribeiro, R. Rodrigues, R. Penha), In Proceedings of International Conference on Live Interfaces (ICLI), 2016. [bib] [pdf]
[125] Full-Band Quasi-Harmonic Analysis and Synthesis of Musical Instrument Sounds with Adaptive Sinusoids (M. Caetano, G. P. Kafentzis, A. Mouchtaris, Y. Stylianou), In Applied Sciences: Special Issue on Audio Signal Processing, volume 6, 2016. [bib] [pdf]
[124] Relational interactive art: A framework for interaction in a social context (N. Cabrita, G. Bernardes), In Proceedings of the Expressive 2016 Conference, Computational Aesthetics (bridging papers), 2016. [bib] [pdf]
[123] A Multi-Level Tonal Interval Space for Modelling Pitch Relatedness and Musical Dissonance (G. Bernardes, D. Cocharro, M. Caetano C. Guedes, M. Davies), In Journal of New Music Research, 2016. [bib] [pdf]
[122] Harmony Generation Driven by a Perceptually Motivated Tonal Interval Space (G. Bernardes, D. Cocharro, C. Guedes, M. Davies), In ACM Computers in Entertainment: Special Issue on Musical Metacreation, 2016. (accepted) [bib]
[121] SEED: Resynthesizing Environmental Sounds from Examples (G. Bernardes, L. Aly, M. Davies), In Sound and Music Computing Conference, 2016. [bib] [pdf]
[120] Conchord: An Application for Generating Musical Harmony by Navigating in the Tonal Interval Space (G. Bernardes, D. Cocharro, C. Guedes, M. E. P. Davies), Chapter in (Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, eds.), Springer International Publishing, 2016. [bib] [pdf] [doi]
[119] Computer-Aided Musical Orchestration Using an Artificial Immune System (J. Abreu, M. Caetano, R. Penha), Chapter in Evolutionary and Biologically Inspired Music, Sound, Art and Design: 5th International Conference, EvoMUSART 2016, Porto, Portugal, March 30 -- April 1, 2016, Proceedings (Colin Johnson, Vic Ciesielski, João Correia, Penousal Machado, eds.), Springer International Publishing, 2016. [bib] [pdf] [doi]
2015
[118] Why Yet Another Sound Spatialisation Tool? (R. Penha), In Proceedings of 1st International Congress for Electroacoustic Music - Electroacoustic Winds 2015, 2015. [bib]
[117] Beat Tracking for Interactive Dancing Robots (J. L. Oliveira, G. Ince, K. Nakamura, K. Nakadai, H. G. Okuno, F. Gouyon, L. P. Reis), In International Journal of Humanoid Robotics, volume 12, 2015. [bib] [pdf] [doi]
[116] Automatic Generation of Chord Progressions with an Artificial Immune System (M. Navarro, L. Nunes de Castro, M. Caetano, G. Bernardes, J. M. Corchado), In Lecture Notes in Computer Science, Proceedings of 4th International Conference EvoMUSART, volume 9027, 2015. [bib] [pdf]
[115] A real-time interactive music remixing app (P. Kretschmann, M. Davies, R. Penha), In 1st Doctoral Congress in Engineering, 2015. [bib]
[114] Computational Strategies for Breakbeat Classification and Resequencing in Hardcore, Jungle and Drum & Bass (J. Hockman, M. Davies), In Proceedings of DAFx-15, 2015. [bib] [pdf]
[113] Harmonic Mixing Based on Roughness and Pitch Commonality (R. Gebhardt, M. Davies, B. Seeber), In Proceedings of DAFx-15, 2015. [bib] [pdf]
[112] Tools and Template development for Live Networked Musical Performance System (A. Clément, R. Rodrigues, R. Penha), In 1st Doctoral Congress in Engineering, 2015. [bib]
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